EXHIBITION OF WATTEAU DRAWINGS AT ROYAL ACADEMY


JEAN ANTOINE WATTEAU EXHIBITION OF DRAWINGS

AT THE ROYAL ACADEMY PICCADILLY LONDON

In the small galleries at the top of Royal Academy building, is a collection of drawings in conté crayon by Jean Antoine Watteau, French artist working mainly in Paris in 18th Century.

Drawings are small, of course, and  were used as working sources by the artist who apparently kept them in bound volumes.  Interesting to read that he worked on the drawings ‘without any specific painting in mind’.   In another part of the galleries I read ‘he rarely made compositional studies’.

There are no paintings in the exhibition but you can see them at the Wallace Collection in London, and of course if you can travel, in other collections in cities such as Paris and Berlin.

Particularly compelling and engaging are the drawings of young women and girls.  Heads predominate but there are quite a few full length.

I read that Watteau ‘rarely used drawing to sketch compositional ideas for paintings’ .  I tend to believe that most artists do so (sketch a painting out first, I mean, if it is a representational painting).

Also he grouped the figures ‘so as to accord with a landscape background that he had already conceived or prepared”;  this suggests that he worked up the background of his painting and then used figures from his drawing collection to people the landscape.

He is renowned for fetes champetres, where the courtly collection of ladies and gentlemen, in silks and satins,  desport themselves pleasurably in idyllic surroundings.

 

FRAMING PAINTINGS – SOUTH LONDON FRAMERS


FRAMERS – WHICH ONES TO USE FOR PAINTINGS?

This is a problem for a lot of artists. Frames are expensive. Make your own? Not for me. I am no carpenter.

To make frames I think you need the space to work, a workbench, measuring stuff, hammering stuff – all that ‘man’ kind of thing!

Over the years I have always got my watercolours and prints framed.
My art work in oils on board and canvas can look after themselves.

If you want to know my current position, I have just been up to the Royal Academy Framers, behind the Royal Academy in Piccadilly.
The oil painting I took with me is destined for the Summer Exhibition at the Royal Academy this year, 2011.
Its difficult to find the entrance. I was told it is near the Academy Schools entrance, and so it is, but it is disguised as the entrance to the entrails of the Academy, a big doorway with a view of various – what look like – screens or flats from a theatre.
The framers entrance is a little door on the right here, easy to miss. There is no sign.
My painting will be ready in about three weeks time.
The other oil painting for the Summer Exhibition is to be framed by a local small business, which I have used once before.
They seem excellent.
I thought I would see if the chance of my work being accepted had any relationship to what kind of frame it is in.

Another framer I use regularly is Gleeson Framers, in Coombe Lane, Raynes Park. Lisa Gleeson has been a framer for years, and I have used her for my art work for a long time, since before she moved to smart new premises in Coombe Lane.

Gleeson Framers